Let the Art Speak - On Hope

At the heart of the 5th annual Let the Art Speak conference — held at Upper House, a Christian study center near the University of Wisconsin–Madison — visual artist Tim Lowly and United Methodist minister and writer Rev. Sherrie Lowly delivered the Saturday plenary session: "Trying to Get a Sense of Scale."

Their talk began not with art theory, but with a life: their daughter Temma, now 40, who has lived with profound cognitive and physical disabilities since a cardiac arrest in the first days of her life. For Tim, Temma has been the center of his artistic practice for decades. For Sherrie, she has been the subject of a memoir and a guide into mystery. Together, they asked the question every artist must eventually face — Who, or what, is truly at the center of your work?

Rooted in resurrection theology and the writings of N.T. Wright, this session reframes artistic vocation as participation in God's ongoing work of new creation. No sketch, no song, no poem made in the Spirit is "mere." Every act of beauty and care, Wright argues, finds its way into the world God is making.

Tim Lowly — who spent nearly three decades as gallery director and artist-in-residence at North Park University in Chicago — walked through his paintings, collaborative works, and a current drawing series, each one a meditation on human dignity, presence, and scale. Sherrie read from her memoir-in-progress, offering a rare and unflinching portrait of what it means to raise a child the world would rather set aside, and to find God precisely there.

The session also engaged Rebecca Solnit's Hope in the Dark, exploring how history-changing movements often grow unseen — like mushrooms underground — until the right moment. A message for artists who wonder whether their work matters.

This recording is an invitation to artists, makers, writers, musicians, clergy, and communities of faith who are wrestling with hope in a divided and often discouraging world.

This event was recorded live at Upper House on April 11, 2026.

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